Create a username and password below and an account will be created and your post entered. I'm thinking of the LA-2A vs. the 1176LN, but any examples will do. BUNDLED ROLAND EFFECTS: Roland Stereo Reverb A brand new, true Stereo Reverb from Roland. Wir beherbergen derzeit ein Neumann TLM 103, Shure SM7B & Shure SM58 bei uns. Both of these compressors have fixed thresholds so you just adjust input gain knob until it begins to take effect. die neuen 1176er und LA2A collectionen bieten eine große auswahl an unterschiedlichen "berechnungen" der erschienenen originale. Nutzen Sie das Pre-Amp Modeling Plug-In, um einer Spur oder einem Eingang … The LA-2A is arguably one of the most popular compressors ever invented. Still two rack-spaces high, but only a half rack in width, the LA-3A seemed designed to be sold in … Recent articles. Yet the designer behind the venerable 1176, Brad Plunkett, also lent his hand to a direct successor to the LA-2A in the form of the Urei LA-3A (initially badged as a Teletronix LA-3A). i have both in the rack. the 1176 is just too strong to take care of it all. For a rock singer or highly dynamic singer there are better options than both i.e. I want most of the work to be done by the tube compressor, with just a little shaving down of the peaks that poke through from the second … The LA2A is a very known, thick rich sound and that's what you use it for, "that sound". Or Waves? personaly i find to mutch distortion, (tube harmonics) in high frec, i mean, cymbals sound bad because of theese... i think this is because of tubes... i dont know... i dont have a Teletronix or UA, i have a clone. For vocals, try the CLA-2A for some gentle warmth and smoothness, then compress that with a CLA-3A to give the vocals punch in a mix. i get hotter , clean signals for sure. I have messed around with the settings and continue to be a bit dissatisfied with how the vocals sound once I play back the recording on the DAW. When you buy products through links across our site, we may earn an affiliate commission. See our comparison between the tube and solid-state models and learn how to best use them for your tracks. Why use both? It can be dialed in as a functional gain reduction tool and conversely as a tone-shredding beast — aggressive and spitty on a vocal, vibrant on guitars, great on drums. just tickling the highest peaks a little. Then LA2A is just to smooth it out with subtle compression. Next, insert an instance of the LA2A after the 1176, and set the Peak Reduction knob so that you’re getting a couple of dB of compression at … we use the 1176 to safe the la2a from overreacting to fast peaks. This month we are taking a up-close-and-personal look at the UAD LA-3A Classic Audio Leveler Plug-In, including when and where you might use it versus its electro-optical kin, the legendary LA-2A.. So I added a second, faster compressor to control the transients. Like the mid-‘60s classic, the CLA-2A sounds great on guitars and bass, and really shines on vocals. California Love The tradition of invention continued as Putnam shifted operations to California, with the precursor to the 1176 – the 176 – emerging in the early ’60s. i've been mucking around using them as limiters trying emulate the real deal. I'll say it very plainly: You cannot achieve a recording or a mix that matches what you hear on professional releases without a compressor. play Universal Audio VS-LA2A - Vocals. i get hotter , clean signals for sure. Wir haben die Universal Audio 1176 Classic Limiter Collection für die UAD-Systeme im Test. VS8F-3 Plug-in Demo. ... 1176 Vocal ProTip by Greg Wells There aren’t many companies who haven’t taken a shot at releasing their version of the LA2A: Waves: CLA-2A; IK Multimedia: White 2A; … The Urei 1176, and Universal Audio 1176 family was groundbreaking technology in its day, with a super-fast attack time, it is a fantastic limiter. Funnily I'm one of those guys who like use these two compressors the other way around in vocals than is a general consensus: LA-2A->1176. December 4, 2020. Click here to login, The ability to reply to and create new discussions, Access to members-only giveaways & competitions, Interact with VIP industry experts in our guest Q&As, Access to members-only sub forum discussions, Get INSTANT ACCESS to the world's best private pro audio, Promote your eBay auctions and Reverb.com listings for free. kannst die ratio einstellen. Personally love the LA2A. Top producers revere the LA-2A for its subtle warming characteristic – it can be as transparent as you want on vocals – but it can also be hit hard to yield a sizzlingly overdriven signal. Easy to use and easy to get to sound good. play Universal Audio VS-LA2A - Vocals. That’s the 1176’s dichotomic charm. It’s also frequently used as part of a vocal compression chain, working in series with another compressor such as an 1176 to yield silky-smooth vocals. Dual LA-2A can do bouncy and rich mix compression. But the 1176 knocked the big peaks down, which would have thrown the LA-2A into quite a bit of compression. The 1176 kind of rules as a tracking compressor. For vocals the slow attack plugins with opto or character are good. the other way around doesnt make much sense :-) it might still sound cool....but 1176-la2a ist the classic approach. Top producers revere the LA-2A for its subtle warming characteristic – it can be as transparent as you want on vocals – but it can also be hit hard to yield a sizzlingly overdriven signal. Start with the knobs straight up. It can be dialed in as a functional gain reduction tool and conversely as a tone-shredding beast — aggressive and spitty on a vocal, vibrant on guitars, great on drums. I like the La2a a lot on vocals and when I compare it … The "smacking" here would be much more smoother and easy going since the signal is already tamed down with the LA-2A. Thanks for the input guys. These two seem to stick out the most. Januar 2017. Then, into the 1176. Tape types The Pathfinder ... 1176 Revision A User Interface on Mixanalog With Greg Wells Vocals Preset How to apply 1176 settings on mix:analog. das heisst er spicht schneller an. pure joy . As I know its labeled as a peakcompressor. There aren’t many companies who haven’t taken a shot at releasing their version of the LA2A: Agree with amorris, though good sounds only get better with it. I have messed around with the settings and continue to be a bit dissatisfied with how the vocals sound once I … I use this for all sounds where only subtle compressing should done. California Love The tradition of invention continued as Putnam shifted operations to California, with the precursor to the 1176 – the 176 – emerging in the early ’60s. wanna try something different? Think big. Adjust so the meter is just moving a little... not much. It's time to hear what Slate brings to the table vs other LA2A emulations. I have la2a and 1176 looking for a another color for crayon box Tracking,Mixing. It's impossible to make the LA-2A sound bad. Who here is using Nuendo 4? Slate Digital FG-2A vs Waves CLA-2A Compressor…here we go. ba75-c8d7-eb6f-ceaa-3b65. It features 4 selectable ratios, and a release time of between 50 and 1100 milliseconds. 1176 - It's good on everything. Whereas the 670's valves are smooth and warm, the 1176's equally fast FET‑based design brightens the tone and adds extra edge and excitement in a way that has made it a fixture on vocals for many top engineers for a half‑century. bring them up into separate faders on the desk and blend to taste. First I'd track the vocals with the LA-2A to get them leveled out nice and easy. FabFilter has a different approach than most plugin companies. Some do the reverse; tame the vocal with the CLA-3A, then add warmth with the CLA-2A. Alle AD/DA Wandler stammen aus … Roland Tempo Mapping Effect The Tempo Mapping … even pump another up with plugs (watch the phase). Set the meter to Gain Reduction, and it should be in "limit" mode. The final classic vocal‑processing contender is Urei's 1176 (and the same marque's near‑identical stereo 1178). then maybe to some other stuff like something cheapo (alesis?) Als Preamps bieten wir euch einen Golden Age PRE-73 PREMIER & ART Pro MPA II an. but i'm curious to see if any one would choose one of these if they had the real unit. Im Board seit: 29.08.06 Zuletzt hier: 3.02.21 Beiträge: 5.832 Kekse: 184.736 Erstellt: 04.11.20 #5. wenn ich die Wahl habe, nur einen Kompressor zu verwenden, würde ich für ein eher … Again, adjust so that you are just getting a little bit of needle movement. This odd duck was half the size of an 1176 and downright diminutive compared to the massive 3U LA-2A. Use a ratio of either 4 or 8. Yes, they won't be exactly right, but they'll be close enough for you to get some idea what they do. Like the mid-‘60s classic, the CLA-2A sounds great on guitars and bass, and really shines on vocals. I've pretty much always use an 1176 into an LA-2A (Waves) in my vocal chain, but I'm starting to think it doesn't work as well as it should. sometimes even in nuke mode. Teletronix® LA-2A Classic Leveler Plug-In Collection Trailer. 1176, LA3A. While vintage and reissued hardware models can be found in studios across the globe, the 1176 is also one of the most frequently emulated hardware … Slate Digital FG-2A vs Waves CLA-2A Compressor…here we go. ... compressor la2a tutorial. I am currently working with the following vocal chain: Neumann U87 into Warm Audio 1073 clone into Warm Audio 1176 clone into Warm Audio LA2A clone, into an Apollo Twin. For faster, cleaner, more VCA‑style … You can also set the 1176 with a super fast release to add some crunch to the vocals. Typically the 1176 is used to rid of any peaks, so having a fast attack and release will do with a 4:1 ratio. Come on guys-give it a shot. On this compressor, the Attack and Release knobs work backward from normal. The best vocal compressor for voice, bass, drums, and any other audio signal is the topmost studio-quality one you can afford. Waves Renaissance Vocals – This plugin just has one control and it’s AWESOME. Waves CLA2A – Any LA2A emulation is perfect for lighter tonal compression. i have a uad 1 card which has the la2a and 1176 as plug ins on it. Vocal plugin. Not fast however. It’s also frequently used as part of a vocal compression chain, working in series with another compressor such as an 1176 to yield silky-smooth vocals. LA-2A can makes the sound more "round". January 17, 2017. You need an account to post a reply. If i where to do rock/metal the most logical way would be to use the La-2a as a limiter kind of, and then use the 1176 to get that nice edge to the vox. November 29, 2016. 3 Person(en) gefällt das exoslime Helpful & Friendly User. For instance, his studio pioneered techniques like overdubs of a single voice, vocal isolation booths and it also released the first popular song with artificial reverb. Bass plugins are: Tube-Tech CL1B; 1176 The common trick with those 2 for pop vocals is: LA-2A first. The difference between the LA2A and the LA3A is the reliance on transistors vs. tubes. or your old dbx 160X or something. In terms of the 1176, I like what happens to the top end on a vocal when I clamp it hard at 4 or 8:1 with the really fast attack and release times, around 5.5-7 on both. 29. Known for its super-fast attack time and colorful tone, this iconic compressor has been used on countless hit records over the last 50 years. Overall, you’ll notice that the differences between these two compressors aren’t really all that subtle—when you experiment with them on different signal … Click to expand... A lot of producers use these two in conjunction. no point in my opinion. The 2A will be a smoother gentler type of compression, the 1176 will be aggressive. Just try to … The 1176 is arguably one of the most popular compressors of all time. You can really slam vocals and they dont have all the high frequency loss you would expect from 20 db of GR from the UAD-1 1176 or LA2A. The LA-2A tends to not be used for these types of signals. You can use the 1176 … Though I don't have either of those "names" in my rack, I've found a Distressor (1176-ish, quick attack/release, 5-10 dB reduction) followed by my ADL (LA2A-ish opto, just a couple dB) works for me and makes more sense for the same reason you described. I like bussing vocal stacks to one. Yet the designer behind the venerable 1176, Brad Plunkett, also lent his hand to a direct successor to the LA-2A in the form of the Urei LA-3A (initially badged as a Teletronix LA-3A). I like to do vocals into a pre and then into the La2a. Using a Limiter IK Multimedia presents: Black 76 and White 2A, Already have an account? Personally love the LA2A. I'll use it on anything that works, usually compressing, unless the occasion arises where I need to tame some peaks, and I'll switch it into limiting mode. get the UAD-1 card and have both... pluss the fairchild Compressor... Who says LA-2A can't be used on Drum Bus? ART Pro VLA II; Warm Audio WA-2A; Golden Age Project Channel Vintage Style Compressor – COMP-3A- The COMP-3A is based on the LA3A, the successor to the LA2A. Universal Audio LA-2A. da lässt sich anhand der vorgabe schnell der passende comp finden. Experiment by reversing the chain. I too use an la-2a followed by an 1176 almost as a matter of course. der 1176 ist meiner ansicht schneller. The UREI / Universal Audio 1176 and Teletronix LA-2A are two of the most famous dynamic processors ever made. mult the vocal to your LA-2A and 1176 separately. To help keep the vocals sounding natural, he sets the attack at its slowest and the release at its fastest. It really depends on what you are going for. VS8F-3 Plug-in Demo. Brad Plunkett designed the LA-3A and also played a major role in the development of the 1176. ausser du suchst effektiv den la2a sound, aber dann wäre deine frage wohl überflüssig. The 1176 allows you to tame the faster transients and the LA2A gives you a nice overall compression. It makes things just sound better hence some using it with no compression just for the sound. I've never managed to get this to sound right to my ears for some reason. Even give me some settings-I know that's hard to do, but picture the power of Faith Hill but not as creamy and you want her to be--thanks!!!!! I am just wondering if anyone could recommend settings … I am currently working with the following vocal chain: Neumann U87 into Warm Audio 1073 clone into Warm Audio 1176 clone into Warm Audio LA2A clone, into an Apollo Twin. 17. We've come across this 1176 compressor #ProTip recently and it's just too good not to share it with you! Built to the same specs as the early-’60s Teletronix LA-2A Leveling Amplifier, the Universal Audio LA-2A remains one … Re: LA2A + 1176 for lead vocals. Vocals; Bass; Alternatives to the LA-2A. Have my eye on these 2 What YA Think A. Otuzbir. I think I remember TLA saying that he slams an LA3A and grabs the slow attack overshoots with something fast like an SSL comp after the opto. Damn i feel so stupid But i may have gotten this all wrong, but I thought 1 was the "fastest" and 7 " the slowest" But from what ive read about the 1176 it seems to be the other way around? I'll post findings after. In the early 1960s, Jim Lawrence, founder of Teletronix, started using … A medium-to-fast attack/release should do the trick, and tweak the input/ratio so you see the desired amount of Gain Reduction. But first, a brief history… The LA-3A compressor made its debut at the 1969 New York AES show. The similarity is that both come in a box that has knobs and a meter :-) I would concur with the above comments basically. Vocal plugins often have character or color. Yeah the original title is kinda like "apples vs. oranges". Send a vocal through The Brute and it'll sound like you've been working for days or using gear many times more expensive. but i'm curious to see if any one would choose one of these if they had the real unit. i have a uad 1 card which has the la2a and 1176 as plug ins on it. LA2A - vocals and decent on just about everything else, hence it's in almost all major studios. The Attack and Release knobs on this UAD 1176 LN Legacy are set the same (slowest attack, fastest release) as they were on the vocal … It delivers punchy vocals for rock and I can drive it super hard, yet it's always musical. I own a 6176, an LA2A (all amazing pieces of gear) but the 1176 is my all time favorite UAD product. Rather, it’s commonly applied to vocals, bass, and many other signals that don’t have large transients or require fast attack and release times. Still going strong. 3758b9b5-045c-4b7d-b020-80f9b068d990. i've been mucking around using them as limiters trying emulate the real deal. How backwards it may sound, "consistent compression" is the key to good sounding compression IMO. It’s an 1176 LN, which is one of the models that featured a black faceplate. Usually I like to use the 1176 first to tame the transients and give the LA2A a nice signal to work with but occasionally the other way around sounds great.